Balenciaga in Fall 2010 Collection had a lot of geometric, collaged, stiff yet rounded designs that were composed of zones of matte and shine, with cashmere dimpled to look like industrial foam and fur shaved into quilting, the components of the first coats alone were difficult enough to absorb at a glance. Then there were the shoes: block-heeled loafers and brogues with the soles encased in chunks of plastic.
This is fashion by a unique originator who sources all his ideas in the industrial, scientific, computer-generated possibilities of the twenty-first century. In different hands, it could be a predictable route to sci-fi fantasy or clichéd presentiments of a futuristic dystopia—but that is exactly what Balenciaga isn’t. The aesthetic Ghesquière has launched with the aid of new machinery and haute traditional needlework techniques is recognizably Parisian, chic, optimistic, and of today. Some might call him out on the issue of wearability in certain areas, but fashion desperately needs experimenting talents like his to push things forward—and he did that with extraordinary skill today.